Tag Archives: large format

Henry and Wendy Portrait Shoot

During a recent visit of Henry and Wendy in SF, I invited them to have their portraits done in large format.  Setup of the day was my 91-year-old Kodak 2D 8×10 camera with Fujinon A 240mm f9 lens and Kodak Ektascan x-ray film.  The strobes, I used two light sources, one direct light above the camera and a reflective light from the left of the subject.   The dark background is a big piece of black cloth that is about 2.5 feet behind the subject.

Here is a collage of photo of me in action, courtesy of Henry and Wendy.

Portrait session
Portrait session

The film is developed with Kodak D76 1+1 for 10-12 minutes at 19C with rollers and scanned with Epson Perfection V700.  Scanning this time I was faced with a lot of Newton ring issues.   I have an AN glass but that only prevented newton rings from one side of the light.  I have to scan the negatives with emulsion down on the scanner glass, then I put the AN glass on top of the negative.  This way I was able to get rid of most of the newton rings.  I guess I probably need another piece of AN glass and hopefully this issue will go away.

The first photo is that of Henry.  It was shot at f11, 1/30 sec and turned out quite nicely.

Portrait of Henry
Portrait of Henry

Wendy here featured in the second photo, also shot at f11, 1/30sec.  I have asked her to look into the left (her right) reflective light.

Portrait of Wendy
Portrait of Wendy

The final shot is of them together, shot at f16 1/4 sec.  I had cranked up the strobes to be the highest level.  The init negative is dark and about a click off.  I need to double up on the flash to get more light next time.  I have focused on Wendy’s eyes and even at f16, the depth of field is so narrow that Henry’s eyes were very slightly off focus.  I need to add more light sources and try at f22 or even f32 next time for group portraits.

Portrait of Henry and Wendy
Portrait of Henry and Wendy

Overall another fun shoot that yield some fantastic portraits.

Basil the Westie

Basil the westie is a happy and friendly dog and always bring joy to me whenever I see him.  After a recent dinner gathering with his owner Natasha Hsieh, we decided to head back to our home studio and take some portraits.  Basil was a superb model and here are some highlights of that shoot.

I was trying to teach Basil how to operate the  Kodak 2D and he got the hang of it quite quickly.  Photo below entitled: “His master’s visage”.

Canon 5D3, Sigma 35mm f1.4
Taken with: Canon 5D3, Sigma 35mm f1.4

 

Canon 5D3, Sigma 35mm f1.4
Canon 5D3, Sigma 35mm f1.4

 

Basil checking out my work.
Basil checking out my work.

Rick Portrait Shoot

Finally took my umbrellas out of their boxes and setup some lights at home.  Rick was visiting and took the chance for a portrait sitting.  I tried several setups and ended up with two lights.  One from the left back with diffuser at 45deg and one in the front with diffuser at about 45deg from the left.  A reflector is also placed around waist level.  Here is one from the shoot.

Portrait of Rick
Portrait of Rick

 

Shot with Burke & James Grover 8×10, Fujinon 400mm f8 lens, Kodak Ektascan B/RA film.  Developed in Kodak d76.  Scanned with Epson Perfection V700.  Even though the Fujinon 400mm lens was meant to be used with 5×7, as seen here, at f8, the image circle is big enough for use with 8×10.  The lights used are a pair of Yongnuo YN565EXII and a pair of YN622 and YN622TX triggers.

 

First 8×10 Portraits

Six months ago, I did some test shots with my Burke & James Grover 8×10.  I finally got them developed and scanned recently.  With a couple of flashes and remote (without any diffusion), I shot a few portraits when my friends Norris and Fiona were visiting.  Here is the result.

Burke & James Grover 8x10 Portrait
Burke & James Grover 8×10 Portrait

I used Kodak Ektascan B/RA x-ray film metered at ISO50.  Burke & James Grover 8×10 with Fujinon 250mm f6.3 lens.  Lighting setup with two Yongnuo YN560II flashes on two YN622C  and a YN622C-TX.  Developed with Kodak D76 1+1 20C for 10 minutes.  Scanned with Epson Perfection V700.

Lighting is harsh, this is due to the lack of deflectors (they were still being shipped from Asia at the time).  The harsh lighting reminded me a bit of a prom shoot would of looked like in the 1960-70s.  Nevertheless a decent shot for first trials.

 

WPPD 2015

From the busy schedule of moving, I managed to get in the spirit of World Pinhole Photography Day (WPPD http://pinholeday.org/) and went up to the roof of my building and snapped a few photos.

My equipment.  Did all the calculations and most importantly, my ruler!
My equipment. Did all the calculations and most importantly, my ruler!

Because of the move, all my chemicals are packed.  I just went with the good old Fuji FP-3000b.

Graflex Speed Graphic with homemade pinhole board.
Graflex Speed Graphic with homemade pinhole board.
Closeup.
Closeup.
Just setup quickly on the roof of my condo.
Just setup quickly on the roof of my condo.
Resulting photo.  Happy WPPD 2015!
Resulting photo. Happy WPPD 2015!

Large Format Portrait

One of the best LF portraits I have taken recently is this one of my mom.  Taken with Graflex Speed Graphic + Buhl 9″ f3.6 lens + Fuji Acros.  Developed in Kodak d76, 20C 11 minutes, first minute agitation, 4 flips every minute.  Fixed with Kodak RapidFix and scanned Epson Perfection V700.

Large format portrait of my mom.
Large format portrait of my mom.

Large format shoot at the Bund

After a weekend of crappy weather, Monday was a complete opposite.  Kirk Lau and I couldn’t resist on the amazing weather and took our Grapflex Speed Graphics to the Shanghai Bund for some night photography.  Knowing how bad the reciprocity of the Shanghai 4×5 film, we decided to give it a go away.  I was armed with only two lenses, the Fujinon 65mm f5.6 SWD and a Leica Dimaron 150mm f2.8.  I only took 4 slides of Shanghai 100iso 4×5 film in two film holders.  Here is a shot taken with my RX100 II on my shot.

Large format photo session at the Shanghai bund.
Large format photo session at the Shanghai bund.

Let’s see how the photo will do.  I am stand developing them with Kodak HC110.

Graflex Speed Graphic

After some practice with the Polaroid Land 800, I was at a point of no return.  I finally drown myself in the Large Format world.  After seeing some photos from the Kodak Aero Ektar lens, I have decided to get a Graflex Speed Graphic.  A couple of months ago, I was lucky enough to acquire a 1955 Graflex Speed Graphic from the US.  In the original box of goodies, from the expired pack film inside, it seems like the machine had not been used since 1967.

The machine was in mint condition and was definitely taken care of.  From the warranty card inside, I traced back to the original owner named Charles H Marshall, whom purchased this from McCurry Foto Co in Sacramento, CA.

Prior of receiving this brick, I purchased a Polaroid back which was proven to be super handy for testing out this beast.  When I was back in Toronto early this year, I attended the yearly auction from the Photographic Historical Society of Canada.  There, I picked up three Grafmatic sheet film holder for a great bargain!

When the camera arrived, I was faced with another issue, a super solid tripod for focus and film pack insertion. The Speed Graphic, I weighted it on the scale to be 3kg.  The film back adding another 0.5kg.  The Kodak Aero Ektar lens (which will arrive soon!) coming in at 1.5kg.  This totals to 5kg.  My old Manfrotto tripod can only support 2.5kg and a new tripod has to be purchased before I can go out and shoot!  After some research, Gitzo is out since what I needed cost around $7k HKD.  My beloved Manfrotto was also out since it will cost around $5k HKD.  I am not too kind to my tripods and I can’t justify spending so much on it.  Finally I settled on the Benro C-2570T + B-2 head.  The tripod itself only has three sections and can support up to 12kg.  The B-2 head supports 20kg.  This combination is rock solid and the carbon fiber tripod only weight in at roughly 2kg.

1955 Graflex Speed Graphic in Mint Condition
1955 Graflex Speed Graphic in Mint Condition

I need a cloth for focusing badly in bright outdoors.  I substituted that with my film dark bag for the time being.

Focusing in the bright outdoors!
Focusing in the bright outdoors!

 

Polaroid Land 800

Polaroid Land 800
Polaroid Land 800

Polaroid Land 800 and Shanghai 4×5 film

These cameras were produced from 1957 to 1962. Since the disappearance of roll film in the 90s, this camera had been abandoned as trash since.

I picked up a couple of these units when I was back in Toronto a few months ago. Both were in perfect condition and all the accessories  intact. This camera features an EV lighting system with fixed aperture and shutter speed.

The pairing is as follows:
EV 10 f/8.8 1/12
EV 11 f/8.8 1/25
EV 12 f/8.8 1/50
EV 13 f/8.8 1/100
EV 14 f/12.5 1/100
EV 15 f/17.5 1/100
EV 16 f/25 1/100
EV 17 f/35 1/100

Initially getting these two cameras, I wanted to modify it so that I can use it as a medium format panoramic camera. I wanted to put in a roll of 120 and see if I can get 6×10 or 6×12 shots out of this.

Walking in the camera market in Shanghai prior to my trip back to Toronto, I saw some really cheap Shanghai 100 ISO 4×5 film. Doing medium format for years, I am always itching to move onto large format. So I picked up a box of el cheapo Shanghai 4×5 film and off I went.

Honestly, it’s a pain to insert the 4×5 film into these Polaroid 800 cameras in a dark bag. Basically, I have to do this once for every shot. This work flow is extremely not portable, but hey, reminding myself, it’s large format, it’s not supposed to be that portable.

On this camera, there are two viewfinders, one for focusing and one for framing.  I was impressed with the rangefinder.  It was crisp and accurate and with a maximum aperture of only F8.8, I experienced no focusing issues.

My first two shots with this camera, however, was a disaster. The photos came out totally underexposed. This can be traced back to two mistakes I made. First, I used the Polaroid light meter that came with the cameras. Bad call. Second, reading in the many forums, a lot of people are over exposing this film and shooting it like a ISO 50 film.

The second and third trials got better and basically I needed to overexpose the original settings by about 1.5 EVs.

Polaroid Land 800 and Shanghai 4x5 ISO 100 Film
Polaroid Land 800 and Shanghai 4×5 ISO 100 Film

The details were amazing.  The Polaroid land 800 has a mask with rounded corners.  The exposed area of of the photo is not 4×5 but a bit smaller than that.

My film development process.  All chemical temperature @20C. Water bath one minute.  Guan Long (冠龍) D76 1+1 14 minutes.  Water Stop Rince 3x + 2 mins. Guan Long F-5 Fix 8 mins. Water Rince 3x + 2 mins and Kodak Photoflo.  Scanned with Epson Perfection 4870.

The first experience with the Polaroid Land 800 was quite successful and I finished the whole box of 25 shots in within the first two weeks.

Why Polaroid Land 800? Simple. It’s cheap, readily available, full manual and has no electronic components.